Avengers 3 : Infinity War part 1

Avengers 3 :Infinity War

Between the movies, the one shots, the limited-series and the television shows, the Marvel Cinematic Universe is constantly growing bigger and bigger week to week - and it's all headed in a rather epic direction. As confirmed by Marvel Studios President Kevin Feige, everything we've seen so far in the comic book movie world has been building towards a massive big screen battle against the alien warlord known as Thanos, and that huge event will unfold in 2018's The Avengers: Infinity War.

But who amongst the established heroes and villains in the MCU can we expect to see pop up in the movie? Who are the filmmakers responsible for making it? Well, to organize all of that key information we have put together this handy guide which we'll keep updating to let you know the latest info about the giant blockbuster. So read on - but first, give the ridiculously fantastic debut trailer for The Avengers: Infinity War a watch!

What Is The Infinity War Release Date?

As was announced in October 2014, Avengers: Infinity War will be released on May 4, 2018. Originally, this story was believed to unfold across two movies, as the fourth Avengers movie was titled Infinity War: Part 2. However, directors Joe and Anthony Russo (more on them in a bit) later said that the titles were "misleading," and that eventually they would be changed. That eventually proved true, as in late August 2016 Marvel dropped the Part 1 from the third Avengers movie, thus resulting in Avengers: Infinity War. Avengers 4 still doesn't have an official title. There will still be some "cross pollination" between the two movies, but look at them now as separate and distinct movies.

What Is The Infinity War Rating?

No official rating has been announced yet, but it's a good bet that Avengers: Infinity War will follow in the footsteps of the other MCU movies and be rated PG-13. Granted, the violence will almost assuredly be the most intense we've seen yet in this franchise, but it won't be worthy of being slapped with an R-rating, just to ensure that younger fans can enjoy the experience as well. They'll throw in a few curse words and some suggestive material, but probably no more than the usual content found in a Marvel movie.

The Writers And The Directors

Marvel Studios seems to have a lot of trust in the abilities of the directing duo Joe and Anthony Russo and writing pair Stephen McFeely and Christopher Markus. After the latter duo wrote the much-praised script for Captain America: The First Avenger, the four men first worked together on Captain America: The Winter Soldier. That was such a massive success that they were re-teamed for Captain America: Civil War; and with that track record Marvel Studios trusted nobody else to make The Avengers: Infinity War. The 2018 film should definitely be a totally different beast than the previous works of the filmmakers, given that they are working with dozens and dozens of established characters, but there's little reason to doubt that they'll come up with something wildly impressive.

Iron Man

Iron Man (Robert Downey Jr.) served as the antagonist of Captain America: Civil War, enforcing the new legislation requiring that all superhero folk be regulated. This led to him squaring off against Captain America and the other anti-registration heroes in a battle of ideological differences, an the ending him emotionally scarred after discovering that Winter Soldier (Sebastian Stan) killed his parents. He's dealing with Steve Rogers' betrayal, and was left in a vulnerable spot. Since then we have seen him get some of his mojo back, helping Peter Parker a.k.a. Spider-Man (Tom Holland) unlock his incredible potential, and it's even possible that when we next see him he will be married to Pepper Potts (Gwenyth Paltrow) - according to the end of Spider-Man: Homecoming. All the same, it's not exactly going to be easy for him to work with a lot of his fellow Avengers following their massive fallout, but they'll need to if they want to have any chance in the fight against Thanos (Josh Brolin)

Captain America

Following the battle against A.I. gone mad in The Avengers: Age of Ultron, Captain America (Chris Evans) returned to the big screen in May 2016 for Captain America: Civil War, where he led the charge against the Sokovia Accords and superhero registration. Despite rumors that he would die at the end of the conflict, similar to what happened in the comics, Steve Rogers made it out alive, though he and his allies through the skirmish are now considered criminals by the world's governments (thanks to the fact that Cap freed them all from The Raft prison where they were being held). Even though he's on the run, there's no reason to believe that Captain America has stopped protecting the innocent on their own terms, and fighting Thanos will certainly be a big part of that mission. He'll be sporting a very different look in The Avengers: Infinity War, complete with a full fugitive beard, but there's no doubt that his moral compass will point true north as always.

Chris Evans will appear as Steve Rogers a.k.a. Captain America in both Avengers: Infinity War and Avengers 4 - which it's been said will complete the actor's contract with Marvel Studios. This leaves us wondering if the two big blockbusters could feature the end of the character's run on the big screen, but that's just speculation for now.

Thor

Like Captain America, Thor (Chris Hemsworth) will be carrying a lot of baggage going into The Avengers: Infinity War, but it is of a much different variety. In Thor: Ragnarok, the God of Thunder not only witnessed the death of his father, but also the titular apocalyptic event. Fortunately, Thor was able to save most of the Asgardians before the destruction, shepherding them onto a space ship, but that didn't result in them being totally out of the woods. Instead, the mid-credits sequence showed us that there is a very real threat lurking in the cosmos, and judging by the Infinity War footage that was shown at D23/San Diego Comic-Con 2017 (where Thor was shown floating out in space), it looks like the hero and his people are anything but safe.

The Hulk

At the end of Avengers: Age of Ultron, Hulk (Mark Ruffalo) flew away from his fellow Avengers in a Quinjet, and his whereabouts afterwards were a mystery. It turns out, as revealed in Thor: Ragnarok, that he landed on the alien planet Sakaar and had a rather life changing experience becoming a champion gladiator and learning how to (somewhat) properly speak. Over all Bruce Banner spent nearly two full years in his green monster form, and the effect is a created imbalance in the relationship between the two personas. At the end of the third Thor movie, Banner is afraid that turning into Hulk once more could be permanent - though his appearances in the Avengers: Infinity War trailer suggest he found a way to change back.

Outside of the fact that he apparently at one point comes crashing down through the roof of Doctor Strange's Sanctum Sanctorum, Hulk info isn't exactly plentiful right now where the Joe and Anthony Russo film is concerned. That said, Mark Ruffalo did confirm to us that his parts in Thor: Ragnarok, Avengers: Infinity War and Avengers 4 together form a three-act arc that operates as its own "standalone Hulk story."

Initial release: April 25, 2018 (Netherlands)

Directors: Anthony Russo, Joe Russo

Based on: The Avengers; by: Stan Lee; Jack Kirby

Music composed by: Alan Silvestri

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Need for Speed: Payback Crack Download

Need for Speed: Payback PC 3dm Crack Download

Electronic Arts’ arcade-style racing franchise Need For Speed has been around since 1994, but recent outings have earned it a reputation as the videogame equivalent of a Dan Brown book. That’s because it sells fantastically well, but nobody can fathom why. How refreshing it would be to assert that the latest iteration, Payback, marks a triumphant return to form for the series. But alas, having played it, that would be an impossibility.

The Need For Speed games have had various high points in the past such as 2010’s Hot Pursuit and 2013’s Rivals, but the series’ most recent outing, a reboot released in 2015, attracted a critical mauling mainly due to its annoying online-only structure. 

Both Hot Pursuit and Rivals were made by Criterion, British developer of the revered Burnout series of games. The shadow of the far superior Burnout – an IP still owned, although apparently shelved, by Need For Speed publisher EA – still looms large over the Need For Speed series, and the likes of Microsoft’s Forza Horizon games have offered stiff opposition recently.

Taking on The House

Past Need For Speed games often featured a cops versus robbers theme, but Payback eschews that in favour of street-racing – along similar lines to Rockstar Games’ much-loved but now dormant Midnight Club franchise. Payback’s action takes place in Fortune City, loosely based on Las Vegas (although, mercifully, with much more elevation changes than its real-life counterpart).

The main character you play is Tyler Morgan, an aspiring street-racer who becomes indebted to a casino-owner whose Koenigsegg – which Morgan was driving – is stolen by a woman called Lina Morgan, who runs Fortune City’s street-racing scene for an organisation called The House. Morgan assembles a crew whose motivation is to get revenge against Navarro and take down The House.

One of the reasons that Need For Speed: Payback creates a poor first impression is that it plunges you into its unrelentingly embarrassing story. The characters are either terminally dull, downright annoying, or both. Making matters worse is the fact that whenever you get to an interesting point in a story-mission – such as having to nail a precise jump – the action is taken out of your hands and a cut-scene kicks in. Payback is clearly attempting to attract an audience addicted to movies like Fast & Furious, but it fails spectacularly, in a great, whiffy cloud of amateurishness and dialogue that Michael Bay would reject for being too basic.

The daily grind

While the story missions are something to be endured, there’s better news elsewhere: you must grind to unlock each story chapter and, for once, the grinding is the most enjoyable part of a game. Payback isn’t an intrinsically bad game: its open-world is large and varied, and the cars handle as you would expect in an arcade-oriented game. Although the off-roaders have an annoying tendency towards fish-tailing, for the most part the cars are satisfyingly tail-happy and eager to drift, so you can turn in early and back them into corners, Ridge Racer-style. 

You do get the odd sequence where you must fight off cop-cars, and there's a mechanic which lets you barge into them, sending them off the road into spectacular Hollywood-style pile-ups (although the game doesn’t dwell on those as much as it should). Overall though Payback’s vehicular combat system completely lacks the precision of the one found in the decade old Burnout games. The sheer glee associated with the sort of maniacal driving you could pull off in games like Burnout is completely absent from Need For Speed: Payback.

At least there’s plenty to do in Payback’s open-world, including street racing, off-road racing, drifting and drag-racing missions. You can earn experience points by racing through speed-cameras, jumping through billboards, catching air off jump-ramps, time-trials along stretches of road, collecting giant chips and racing ghosts of real-life players. There are derelict cars to find, which can be customised into absolute beasts. But every element of Payback’s open-world can be traced back to another game, like some box-ticking exercise. Its design by committee at its worst, and its one of the game's biggest problems. 

Not so finely tuned

Customisation is key to any game that aspires to excite wannabe street-racers, and Payback does contain some interesting customisation systems. There’s a decent visual customisation engine – performing spectacular moves in the game unlocks spoilers, side-skirts and the like, and you can tinker around with decals and paint-jobs to your heart’s content. 

But at the heart of Payback lies its mechanical upgrade system, which takes the form of a trading card game. It's not ideal, and the presence of this element merely smacks of marketing departments looking at how much a young audience is spending on the likes of Hearthstone (something of which Forza Motorsport 7 is also guilty). 

Unless you go to Tune-up Shops and spend in-game currency on Speed Cards, you’ll soon find yourself up against much faster cars. Naturally, you can spend real money on Speed Cards if you can’t be bothered to grind – or can’t quite fathom the unnecessarily complex and utterly unengaging Speed Card system.

There is one interesting idea in Need For Speed: Payback: before each event, you can put money on a side-bet, which adds extra targets for that event. However, even that could have been improved if it the target was adjusted according to the rating of your car, and whether or not you were struggling to win that event. Incidentally, you have to win all the events to advance the story, so if you aren’t keen, say, on the drifting side of the game, you’re a bit stuffed.

Verdict: Don't play it

It will be fascinating to see how well Need For Speed: Payback sells. It is, for example, much less fun to play than Forza Horizon 3, which has been out for a while and can be found cheaply. No doubt EA’s marketing machine will kick into overdrive on Payback’s behalf, but those who buy it will surely find it soulless at best, and positively annoying in parts at worst. 

But the same could have been said about previous Need For Speed games, which nevertheless shifted millions of units. However,  surely the Need For Speed franchise is now one flop away from a radical reappraisal? If only EA would abandon it in favour of a revival of Burnout.

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Jennifer Aniston and Angelina Jolie to Present Golden Globes

Jennifer Aniston and Angelina Jolie to Present at the 2018  Golden Globes

The Hollywood Foreign Press Association has been slowly rolling out the list of presenters for the 2018 Golden Globes, and in the last day, four new actresses have been added to the mix: Jennifer Aniston, Angelina Jolie, Helen Mirren and Emma Stone. 

Aniston and Jolie, who share a mutual ex in Brad Pitt, rarely attend the same events—but this year's award ceremony is all about women coming together, thanks to the #MeToo and Time's Up movements, and it's message is bigger than the tabloid stories they've both worked so hard to ignore over the years.

Aniston recently donated $500,000 to the Time's Up GoFundMe campaign; the money is going toward a legal defense fund, providing subsidized assistance to men and women who suffer sexual abuse, assault or harassment while at work—regardless of the industry they all work in.

Jolie, meanwhile, was among the dozens of actresses who publicly spoke out against disgraced film producer Harvey Weinstein. "I had a bad experience with Harvey Weinstein in my youth, and as a result, chose never to work with him again and warn others when they did," Jolie told The New York Times. "This behavior towards women in any field, any country is unacceptable."

The Time's Up campaign also asked those walking the red carpet at Sunday's Golden Globes to wear black. "This is a moment of solidarity, not a fashion moment. For years, we've sold these awards shows as women, with our gowns and colors and our beautiful faces and our glamour. This time the industry can't expect us to go up and twirl around," actress and producer Eva Longoria told The New York Times earlier in the week. "That's not what this moment is about."

"I think that the biggest thing will just be hitting the right tone," host Seth Meyers told Ellen DeGeneres yesterday. "But also, we don't want to ignore the things that will happen this year."

Here is the complete list of 2018 Golden Globes presenters:

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